Never not chasing a million things I want I engage in such activities for the excitement they give me Repeating clever phrases over and over again is uninteresting to meīecause I'm doing this for the thrill of it, killin' it Making smart with their words again, well I'm bored She's happy with her friends and is willing to go against the grain and show people how little she cares about their opinions.ĭon't you think that it's boring how people talkĭo you not find it tedious how individuals speak? She's not afraid to take risks, but she's also cautious about not letting fame and success define her. Flume is about how the singer is young and wants to live life to the fullest. The chorus is repeated again, emphasizing how little the singer cares about what others think about her and how happy she is with her friends. Everything is fine as long as they're all on the same page, but she knows that it's not going to last forever. She loves her friends, but they can also be a hindrance to her success. The second verse expresses the singer's anxieties about becoming famous and how she's afraid that the wicked games of Hollywood will corrupt her. They're both happy and scared, but they still go down to the tennis court and talk it up as if they have no cares in the world. The chorus is about how the singer and her friends don't care about what others think about them. She feels young and energized and gets pumped up by the things she buys, but she knows that they will never define her or own her. The singer is doing what she's doing for the thrill of it and chasing after things she wants. Flume speaks about how people talk smart and make small talk, which can be boring. The first verse of Tennis Court by Lorde ft. Getting caught soft with the triple is it How can I fuck with the fun again, when I'm knownĪnd my boys trip me up with their heads again, loving themĮverything's cool when we're all in line, for the throne I'll see the veins of my city like they do in spaceīut my head's filling fast with the wicked games, up in flames Pretty soon I'll be getting on my first plane Let's go down to the tennis court, and talk it up like yeah (yeah) We're so happy, even when we're smilin' out of fear No dance hook came close to “Faded” this year.It's a new art form showing people how little we care (yeah) Despite being released by an anonymous new artist who shuns social media, you’d be hard pressed to find a song that was played or remixed more. The Grammy nod for Best Dance Recording was well deserved. ‘I Expected a Backlash’: Porter Robinson Talks ‘Virtual’ Music, Denouncing EDM, and Online Games “Conjure Balearia” find the American-born Barcelona transplant at the peak of his production powers, combining interstellar techno elements with majestic string-supported breakdowns in advance of its unimpeachable bass lead. On one of the year’s most unique releases, the North Carolina producer paints a fantasy soundscape of forlorn robot duets, evocative melodies and beautiful 8-bit breakdowns perfectly pitched for the Nintendo generation’s sense of nostalgia.ĭance tracks sink or swim on the strength of their bass lines, and this one’s a heavyweight champion. While his other remixes may have earned more plays, the Norwegian’s sun-soaked take on “Miami 82” officially put the industry on notice after it was swiftly signed to Avicii‘s LE7ELS label and became Ultra Music Festival’s anthem. Kygo’s emergence as the standard bearer for a burgeoning tropical house genre was one of 2014’s best storylines. How Dance-Pop Act Zhu Scored a Major-Label Deal Using Just His Logo and His Music Its stuttered-synth drop made a stunning debut in the glare of Coachella’s limelight and cemented his status as one of dance music’s hottest rising stars.Īfter releasing “Smile” and “You” to critical acclaim in advance of their Coachella debut, Swedish super duo Galantis delivered on their potential with “Runaway.” Their most complete release to date features memorable verses, mammoth chord progressions and the peerless production quality we’ve come to expect from Christian Karlsson (of Miike Snow and Bloodshy & Avant) and Linus Eklow (aka Style of Eye). The Santa Barbara producer continues to champion the maligned genre’s melodic potential on this nuanced single, featuring his trademark layered drop, dreamy atmospherics and a heart-rending hook from Estonian singer Kerli.īeset with hype following his breakout remix of Disclosure‘s “You & Me,” the Australian producer rose to the occasion on this much-anticipated Lorde rework. Kerli – “Worlds Apart”ĭon’t bury dubstep just yet. Galantis Talks Songwriting, Touring, and Trying to ‘Spice Things Up’ with Danceħ. 8 Reasons 88rising's Asia Rising Forever Fest Could Be a Must-Watch Live Stream
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